I turn everything inside out/ looking for new solutions/ to the problems of today,/ always critical, giving/ suggestions for gracious living/ and they come away from seeing a play/ in a questioning mood, with “where are we at?,”/ and “who’s got my this?,” and “who took my that?.” (Euripides, in Aristophanes, The Frogs, trans. Richmond Lattimore, Four Comedies, 1969, 62)
In Euripides’ Electra, Electra receives evidence of the secret arrival of Orestes, offering three signs that correspond to the three signs offered to Electra in Aeschylus’s earlier Libation Bearers. The ‘older’ Electra rejects the possibility that the hair could be anyone’s but Orestes’s (520 – 23), but Euripides’s Electra is unwilling to make such a leap of faith, methodically rejecting the very same arguments given by Aeschylus’s Electra. She rejects the possibility of her brother would return in secret, for she assumes that he would return openly (524-26) and then she goes on (527-29) to note the inherent differences between the lock of hair from a woman and a man and the irrelevance of foot-size in determining relatives. Many unrelated people also have, obviously, similar hair. This here is the new faith in the capabilities of reason, and yet this faith is repeatedly undermined, not just in literature, but in our everyday lives.